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home·artworks·Susanna Kennedy, Countess of Eglinton (copy After William Aikman)
Susanna Kennedy, Countess of Eglinton (copy After William Aikman) by Gavin Hamilton

plate no. 9698

Susanna Kennedy, Countess of Eglinton (copy After William Aikman)

Gavin Hamilton, 1740

oilNeoclassicismportraitportraitfiguredresscolumncurtaininterior
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabric and drapery with highlights and shadows. It also provides practice in creating depth and atmosphere through subtle color variations and soft edges.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, column, and background elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the figure and drapery.

  3. step 03

    Begin blocking in the local colors of the background, including the column, curtain, and distant landscape.

  4. step 04

    Mix the skin tones and apply them to the face, neck, and hands, paying attention to subtle variations in color and value.

  5. step 05

    Start building up the layers of the dress, focusing on capturing the folds and highlights of the fabric.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, and refine the overall likeness.

  7. step 07

    Paint the details of the dress, including the lace, embroidery, and jewelry.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · red · white · brown · green

secondary · gold · grey · ivory

Mix various shades of red by combining a base red with white, brown, or black. Achieve the silvery sheen of the dress by mixing white with small amounts of grey, blue, and yellow.

techniques

  • ·portraiture
  • ·fabric rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or unrealistic highlights and shadows.
  • →Flat or lifeless rendering of the fabric.
  • →Failure to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red, white, brown, green, yellow, blue, black)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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