apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sunday rest
Sunday rest by Ferdinand Georg Waldmüller

plate no. 7209

Sunday rest

Ferdinand Georg Waldmüller, 1859

oilBiedermeiergenre paintingfigurebabyinteriorwindowstill lifereligious
some experience helpful

Recreating this painting will help students develop skills in depicting realistic figures in a warm, light-filled interior, and practice rendering textures using visible brushstrokes and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major elements.

  2. step 02

    Establish the main light source and shadow areas with a thin wash of burnt umber.

  3. step 03

    Block in the local colors of the background, figures, and objects, paying attention to value relationships.

  4. step 04

    Begin refining the details of the figures, starting with the faces and hands.

  5. step 05

    Develop the textures of the clothing, walls, and furniture using visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the still life elements, such as the flowers and books, with careful attention to detail.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic effect.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · ivory black

Achieve the warm, earthy tones by mixing burnt umber with yellow ochre and white. Use small amounts of blue and green to create shadows and cool highlights.

techniques

  • ·chiaroscuro
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overblending, resulting in a flat and lifeless appearance.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in the details before establishing the overall composition and values.
  • →Not paying attention to the proportions and anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. A medium-textured canvas will help to create a more textured surface.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Samuel Aba

Samuel Aba

Josef Kriehuber

Not Married

Not Married

Charles Spencelayh

Maple trees near Ischl

Maple trees near Ischl

Ferdinand Georg Waldmüller

Maid with a Letter

Maid with a Letter

Peter Fendi

The Broken Leg

The Broken Leg

Charles Spencelayh

Arts and Science

Arts and Science

Carl Spitzweg

Traunsee with Orth-castle

Traunsee with Orth-castle

Ferdinand Georg Waldmüller

Antonio Tamburini, Italian Baritone

Antonio Tamburini, Italian Baritone

Josef Kriehuber