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home·artworks·Maple trees near Ischl
Maple trees near Ischl by Ferdinand Georg Waldmüller

plate no. 8825

Maple trees near Ischl

Ferdinand Georg Waldmüller, 1831

oilRomanticismlandscapetreeslandscapefiguresbuildingfoliagemountains
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and modeling forms with light and shadow. It also provides practice in depicting complex foliage and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figures, and the building.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin layering in the foliage, starting with the darker greens and gradually adding lighter highlights.

  4. step 04

    Paint the tree trunks, paying attention to the texture and variations in color.

  5. step 05

    Add details to the figures and the building, using small brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and realism.

  7. step 07

    Add final details, such as small branches and leaves.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · sap green · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix greens by combining yellow ochre, ultramarine blue, and titanium white. Use burnt sienna and raw umber to create the browns for the tree trunks and building. Add white to lighten colors and create highlights.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the foliage and losing the sense of depth.
  • →Using too much detail in the background, which can flatten the image.
  • →Failing to create a strong sense of light and shadow.
  • →Not paying attention to the color temperature of the light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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