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Sunday morning by William Henry Hunt

plate no. 1253

Sunday morning

William Henry Hunt, 1831

watercolor, paperNaturalismgenre paintingfigureinteriorfurniturewindowdressbook
some experience helpful

Recreating this painting will help students develop skills in rendering textures with watercolor washes and creating a sense of depth through atmospheric perspective. It also provides practice in painting figures in a realistic style.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, paying attention to perspective.

  2. step 02

    Establish the background washes, starting with the lightest tones and gradually building up darker values.

  3. step 03

    Paint the figure, focusing on the folds of the dress and the subtle variations in color.

  4. step 04

    Add details to the furniture, using dry brush techniques to create texture.

  5. step 05

    Paint the window and the view outside, using lighter colors to create a sense of distance.

  6. step 06

    Add the final details, such as the book in the figure's hand and the patterns on the furniture.

  7. step 07

    Glaze areas to deepen shadows and unify the color palette.

  8. step 08

    Refine edges and add highlights to complete the painting.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · raw umber

Mix ultramarine and burnt sienna to create various shades of gray and brown for the furniture and interior. Use yellow ochre and burnt sienna for the warm tones in the light and on the furniture. Add alizarin crimson to the blue for the dress.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using too much water, which can cause the colors to bleed.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the perspective of the room and furniture.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round brushes (sizes 2, 6, 10)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve various effects.

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