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home·artworks·Sun in May
Sun in May by Józef Mehoffer

plate no. 2529

Sun in May

Józef Mehoffer, 1911

oilSymbolisminteriorinteriortreerosesfiguregardentable setting
some experience helpful

This painting allows students to practice capturing light and shadow within an interior scene, as well as rendering complex organic forms like trees and flowers. Students will also learn to create depth using color and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the doorway, tree, and figure.

  2. step 02

    Establish the main light source and block in the large areas of light and shadow.

  3. step 03

    Begin adding details to the tree, focusing on the shapes of the leaves and roses.

  4. step 04

    Paint the figure in the doorway, paying attention to the folds of the dress and the way the light falls on it.

  5. step 05

    Develop the background garden scene, using lighter values and softer edges to create depth.

  6. step 06

    Refine the details of the interior, including the table setting and the architectural elements.

  7. step 07

    Add highlights and shadows to create a sense of form and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · titanium white · cadmium red · viridian · yellow ochre

secondary · ultramarine blue · alizarin crimson · raw umber

Mix greens by combining viridian with yellow ochre or titanium white. Achieve the rose colors by mixing cadmium red with alizarin crimson and a touch of white. Use ultramarine blue and raw umber to create subtle grays for shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details
  • →Failing to establish a strong light source
  • →Using colors that are too saturated
  • →Ignoring the principles of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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