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home·artworks·Summer Evening, Landscape in Italy
Summer Evening, Landscape in Italy by Claude-Joseph Vernet

plate no. 2050

Summer Evening, Landscape in Italy

Claude-Joseph Vernet, 1773

oilNeoclassicismlandscapelandscaperiverfigurestreesarchitecturesky
experienced study

Recreating this painting would help students develop skills in atmospheric perspective, color mixing for subtle gradations, and rendering complex foliage and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major elements like the river, trees, and buildings.

  2. step 02

    Establish the sky and distant mountains with light, muted colors, using soft blending techniques.

  3. step 03

    Block in the larger masses of the trees and foliage, paying attention to their overall shapes and values.

  4. step 04

    Define the architecture in the background, focusing on accurate proportions and details.

  5. step 05

    Paint the river, capturing the reflections and subtle color variations in the water.

  6. step 06

    Add the figures in the foreground, paying attention to anatomy and drapery.

  7. step 07

    Refine the details of the foliage, rocks, and other elements in the foreground.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Achieve the atmospheric perspective by mixing blues and whites with small amounts of earth tones. Create greens by mixing blues and yellows, adjusting the ratio for different shades. Flesh tones are achieved by mixing white, red, and yellow ochre.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering foliage
  • ·figure painting

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions in the architecture
  • →Muddy color mixing
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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