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Summer by Maxfield Parrish

plate no. 7316

Summer

Maxfield Parrish, 1908

oilSymbolismsymbolic paintingfigureroseslandscapewaterfallmountainsfoliage
experienced study

Recreating this painting will help students develop skills in glazing, layering colors to achieve luminosity, and rendering realistic skin tones in a stylized manner. It also provides practice in creating depth and atmosphere through color and value variations.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a smooth, toned ground (e.g., burnt sienna wash).

  2. step 02

    Lightly sketch the main compositional elements: figure, roses, landscape.

  3. step 03

    Establish the basic color blocks for the background landscape, focusing on atmospheric perspective.

  4. step 04

    Begin layering the skin tones of the figure, using thin glazes to build up depth and form.

  5. step 05

    Paint the roses, paying attention to the subtle color variations and highlights.

  6. step 06

    Refine the details of the landscape, including the waterfall and foliage.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figure and roses.

  8. step 08

    Apply a final glaze to unify the painting and enhance the overall luminosity.

color palette

primary · yellow ochre · burnt sienna · titanium white

secondary · ultramarine blue · alizarin crimson · sap green

Achieve the skin tones by mixing yellow ochre, burnt sienna, and titanium white with small amounts of alizarin crimson and ultramarine blue for shadows. The rose colors are created by mixing alizarin crimson, burnt sienna, and white.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next glaze.

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