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home·artworks·Study, Pompton, New Jersey
Study, Pompton, New Jersey by David Johnson

plate no. 8686

Study, Pompton, New Jersey

David Johnson, 1879

oilLuminismlandscapetreeswaterlandscapeskycloudsfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic foliage with subtle color variations. It also provides practice in capturing the reflections in water and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the main elements (trees, water, sky).

  2. step 02

    Establish the sky with light blues and whites, blending softly to create the cloud formations.

  3. step 03

    Block in the dark masses of the trees using a mix of browns, greens, and blues.

  4. step 04

    Add the water, reflecting the colors of the sky and surrounding foliage.

  5. step 05

    Begin layering details in the trees, using smaller brushes to create the texture of leaves and branches.

  6. step 06

    Paint the foreground grasses and foliage, paying attention to the variations in color and value.

  7. step 07

    Add highlights to the water and foliage to create a sense of light and depth.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · titanium white · burnt umber · sap green

secondary · yellow ochre · raw sienna · cadmium yellow light · alizarin crimson

Mix greens by combining blues and yellows with touches of brown. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use a limited palette of earth tones for the foreground.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details in the trees, resulting in a cluttered appearance.
  • →Failing to create a convincing sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in an unnatural look.
  • →Neglecting the subtle variations in color and value in the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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