
plate no. 2773
David Johnson, 1870
Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also offers practice in rendering realistic textures of sand, water, and foliage.
technical profile
approach — 8 steps
Begin with a light sketch outlining the major shapes: mountains, lake, shoreline, and boat.
Establish the sky with a thin wash of pale blue and pink, blending smoothly.
Paint the distant mountains using muted blues and purples, gradually lightening and desaturating the colors as they recede.
Block in the dark masses of trees on the left side, paying attention to the shapes and variations in tone.
Paint the lake with horizontal strokes, using darker blues and greens in the foreground and lighter, more reflective colors in the distance.
Add the sandy beach using a mix of browns, tans, and creams, varying the texture to suggest the uneven surface.
Paint the boat with careful attention to its shape and the reflections in the water.
Add final details such as the small figure on the beach, the distant boat, and highlights on the water.
color palette
primary · ultramarine blue · burnt umber · titanium white
secondary · yellow ochre · cadmium yellow light · alizarin crimson
Achieve the muted mountain colors by mixing ultramarine blue with burnt umber and a touch of white. Create the sandy beach colors by mixing burnt umber, yellow ochre, and white. The sky is a mix of white with small amounts of blue and pink.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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