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home·artworks·Study of Nature, Dresden, Lake George
Study of Nature, Dresden, Lake George by David Johnson

plate no. 2773

Study of Nature, Dresden, Lake George

David Johnson, 1870

oilLuminismlandscapelakemountainsbeachboattreessky
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also offers practice in rendering realistic textures of sand, water, and foliage.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: mountains, lake, shoreline, and boat.

  2. step 02

    Establish the sky with a thin wash of pale blue and pink, blending smoothly.

  3. step 03

    Paint the distant mountains using muted blues and purples, gradually lightening and desaturating the colors as they recede.

  4. step 04

    Block in the dark masses of trees on the left side, paying attention to the shapes and variations in tone.

  5. step 05

    Paint the lake with horizontal strokes, using darker blues and greens in the foreground and lighter, more reflective colors in the distance.

  6. step 06

    Add the sandy beach using a mix of browns, tans, and creams, varying the texture to suggest the uneven surface.

  7. step 07

    Paint the boat with careful attention to its shape and the reflections in the water.

  8. step 08

    Add final details such as the small figure on the beach, the distant boat, and highlights on the water.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow light · alizarin crimson

Achieve the muted mountain colors by mixing ultramarine blue with burnt umber and a touch of white. Create the sandy beach colors by mixing burnt umber, yellow ochre, and white. The sky is a mix of white with small amounts of blue and pink.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·wet-on-dry blending
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·set of oil paints
  • ·linseed oil
  • ·palette
  • ·palette knife
  • ·selection of round and flat brushes
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·view finder

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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