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home·artworks·Study of mademoiselle Luisa at the home of Portaels
Study of mademoiselle Luisa at the home of Portaels by François-Joseph Navez

plate no. 7733

Study of mademoiselle Luisa at the home of Portaels

François-Joseph Navez, 1824

oil, paper, canvasNeoclassicismportraitportraitfigurewomanhairdressface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering skin tones. It also provides practice in loose brushwork and creating depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, neck, and shoulders.

  2. step 02

    Block in the background with a mid-tone gray-blue, using loose, visible brushstrokes.

  3. step 03

    Establish the main areas of color for the face, hair, and dress, focusing on accurate value relationships.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to suggest texture and form.

  6. step 06

    Develop the folds and shadows in the dress, using a combination of blending and layering.

  7. step 07

    Add the blue drapery, paying attention to how it interacts with the red dress.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · red · white · blue · raw umber

secondary · yellow ochre · burnt sienna

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of raw umber. The red dress is a mix of red with slight variations in value and saturation. The background is a mix of blue, white, and raw umber.

techniques

  • ·portraiture
  • ·loose brushwork
  • ·value studies
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to accurately capture the proportions of the face.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle value shifts that create form and depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: red, white, blue, raw umber, yellow ochre, burnt sienna
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to establish a mid-tone ground.

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oil painting for beginners →how to learn by studying the masters →
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