apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Study for the Distribution of the Eagle Standards
Study for the Distribution of the Eagle Standards by Jacques-Louis David

plate no. 1836

Study for the Distribution of the Eagle Standards

Jacques-Louis David, 1808

pen, inkNeoclassicismhistory paintingfiguresarchitectureceremonycrowdangelhistorical event
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and creating a sense of depth through value and atmospheric perspective. It will also teach them how to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective.

  2. step 02

    Block in the main shapes and forms, focusing on the architecture and the large groups of figures.

  3. step 03

    Establish the light source and begin adding shadows to create depth.

  4. step 04

    Develop the details of the figures in the foreground, paying attention to their poses and expressions.

  5. step 05

    Add details to the architectural elements, such as the columns and drapery.

  6. step 06

    Refine the values and contrasts to create a sense of drama and focus.

  7. step 07

    Add the angel figure, paying attention to its ethereal quality and light.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · sepia · ivory black · raw umber

secondary · white · light ochre

Achieve the various browns and grays by mixing sepia, raw umber, and ivory black with varying amounts of white. Use light ochre sparingly to add warmth to certain areas.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·atmospheric perspective
  • ·grisaille

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Making the figures look stiff or unnatural.
  • →Not creating enough atmospheric perspective in the background.

materials

surface · watercolor paper 140lb

required

  • ·pen
  • ·ink (sepia or black)
  • ·watercolor paper (140lb)
  • ·graphite pencil (HB)
  • ·kneaded eraser
  • ·ruler
  • ·fine liner brush
  • ·round brush

optional

  • ·watercolor paints (sepia, raw umber, ivory black)
  • ·palette
  • ·watercolor brushes

Use a smooth watercolor paper for best results. Consider using archival quality ink to ensure the longevity of your artwork.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to draw →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs