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home·artworks·Study for a portrait of Henri Bergson (1859-1941)
Study for a portrait of Henri Bergson (1859-1941) by Jacques-Émile Blanche

plate no. 9743

Study for a portrait of Henri Bergson (1859-1941)

Jacques-Émile Blanche, 1911

oil, canvasSymbolismportraitportraitmansuitfigurebackground
some experience helpful

Recreating this painting will help students practice capturing likeness with loose brushstrokes and understanding how to suggest form with limited color variations. It also provides a good exercise in portrait composition and capturing a subject's expression.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the background color with thin washes of ochre and blue.

  3. step 03

    Block in the main shapes of the suit and face with mid-tone grays and browns.

  4. step 04

    Start adding darker values to define shadows and create depth in the suit and facial features.

  5. step 05

    Introduce lighter values to highlight the form and create a sense of light.

  6. step 06

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  7. step 07

    Add details to the suit, such as the collar and tie.

  8. step 08

    Adjust the overall values and colors to create a harmonious composition.

color palette

primary · yellow ochre · ivory black · titanium white

secondary · ultramarine blue · alizarin crimson

Mix various shades of gray by combining ivory black and titanium white. Add small amounts of yellow ochre or ultramarine blue to warm or cool the grays. Use alizarin crimson to add warmth to the skin tones.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details
  • →Getting bogged down in precise rendering
  • →Ignoring the overall tonal relationships
  • →Using too many colors
  • →Losing the looseness of the brushwork

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for expressive brushwork. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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