
plate no. 5240
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and major shapes of the hills and clouds.
Establish the darkest and lightest values to create a value map.
Block in the sky with broad strokes, blending the dark storm clouds with the lighter areas.
Paint the distant hills, using lighter and cooler tones to create atmospheric perspective.
Add the details of the building, keeping it simple and muted.
Paint the lake, reflecting the colors of the sky and hills.
Add the foreground details, such as the vegetation and shoreline.
Refine the details and adjust the values to create a cohesive and atmospheric painting.
color palette
primary · ultramarine blue · burnt umber · titanium white
secondary · yellow ochre · raw sienna
Mix blues and browns with white to create the various shades of gray in the sky and hills. Use yellow ochre and raw sienna to add warmth to the foreground.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs