
plate no. 1302
Harriet Backer, 1916
Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering brushstrokes to create texture and form. It also provides practice in observing and representing subtle shifts in light and shadow.
technical profile
approach — 8 steps
Lightly sketch the main shapes and composition: the vase, bowl, bust, and background elements.
Establish the background color with a thin wash of muted peach/tan.
Block in the main color masses for each object: the blue vase, green bowl, and dark green bust.
Start layering colors to define the shapes of the flowers, using reds, whites, and greens.
Add details to the fruit in the bowl, focusing on highlights and shadows.
Refine the shapes and details of the bust, paying attention to the subtle variations in tone.
Add the patterned fabric behind the bust.
Adjust the overall values and colors to create a sense of harmony and depth.
color palette
primary · ultramarine blue · burnt sienna · titanium white · sap green
secondary · cadmium red light · yellow ochre
Achieve the muted tones by mixing complementary colors (e.g., blue and orange, red and green) with white. Use yellow ochre and burnt sienna to create the warm background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Nesebar
Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats
Giovanni (Nino) Costa

Koriten Fortress
Felix Philipp Kanitz

A London Jo - the End of the Day
Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland
Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon
Marianne North

Paisaje Con Río
José Santiago Garnelo y Alda

An Oysterman
William Henry Hunt