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home·artworks·Standing man with branches
Standing man with branches by Jacob van Strij

plate no. 2414

Standing man with branches

Jacob van Strij

oilNeoclassicismgenre paintingfigurebranchesfencelandscaperiverbuilding
some experience helpful

Recreating this painting will help students develop skills in tonal shading and rendering textures using hatching and cross-hatching techniques. It also provides practice in depicting a figure within a landscape setting.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figure, fence, and background elements.

  2. step 02

    Establish the main light source and begin shading the figure, starting with the darkest areas.

  3. step 03

    Use hatching and cross-hatching to build up the tones and create the texture of the clothing and hair.

  4. step 04

    Render the branches, paying attention to their individual shapes and the way they overlap.

  5. step 05

    Add details to the fence, using varying line weights to create depth.

  6. step 06

    Develop the background landscape, keeping it simple and less detailed than the foreground.

  7. step 07

    Refine the shading and add highlights to create a sense of form and volume.

  8. step 08

    Add final details and adjust the overall tonal balance.

color palette

primary · sepia · raw umber

secondary · ivory black · titanium white

Varying the dilution of sepia or raw umber with water or solvent will create a range of tones. Adding small amounts of black or white can further adjust the values.

techniques

  • ·hatching
  • ·cross-hatching
  • ·tonal shading
  • ·line variation
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall tonal balance.
  • →Making the shading too uniform and lacking variation.
  • →Not establishing a clear light source.
  • →Ignoring the proportions of the figure.

materials

surface · watercolor paper 140lb

required

  • ·sepia ink or watercolor
  • ·raw umber ink or watercolor
  • ·watercolor paper 140lb
  • ·round brushes (small and medium)
  • ·HB pencil
  • ·kneaded eraser
  • ·palette

optional

  • ·ruler
  • ·palette knife
  • ·drawing board

Using toned paper can help establish a base tone and simplify the shading process.

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oil painting for beginners →how to learn by studying the masters →
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