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home·artworks·St. Roch
St. Roch by Bernardo Strozzi

plate no. 4659

St. Roch

Bernardo Strozzi, 1640

oil, canvasTenebrismreligious paintingfiguredogstaffhatrobereligious
experienced study

Recreating this painting will help students understand dramatic lighting techniques and how to model forms using chiaroscuro. It also provides practice in rendering realistic skin tones and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figure and dog.

  4. step 04

    Gradually build up the highlights and mid-tones, blending carefully to create smooth transitions.

  5. step 05

    Pay close attention to the direction of light and how it affects the forms.

  6. step 06

    Add details such as the facial features, hands, and the texture of the robe.

  7. step 07

    Refine the edges and add subtle highlights to create a sense of depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the richness of the tones.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of cadmium red and yellow ochre to warm up the skin tones and robe.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·scumbling
  • ·underpainting

common pitfalls

  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Failing to establish a strong value structure early on.
  • →Getting lost in details before establishing the overall form.
  • →Not paying attention to the direction of the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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