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home·artworks·St. Louis, study for a painting done in 1888
St. Louis, study for a painting done in 1888 by Luc-Olivier Merson

plate no. 8880

St. Louis, study for a painting done in 1888

Luc-Olivier Merson, 1883

oilSymbolismreligious paintingfiguresreligiousarchitectureangelcrownthrone
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through layering and atmospheric perspective. It also provides practice in rendering architectural details and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background with a thin wash of muted colors, focusing on the overall tonal values.

  3. step 03

    Begin layering in the darker tones of the figures' clothing and the architectural details.

  4. step 04

    Gradually build up the lighter areas, blending colors softly to create a sense of volume and form.

  5. step 05

    Add details to the faces and hands, using small brushes and precise strokes.

  6. step 06

    Refine the architectural elements, paying attention to the intricate details and textures.

  7. step 07

    Introduce the halos and the angel, using light and ethereal colors.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · ivory black · ultramarine blue · raw umber · titanium white

secondary · cadmium red light · yellow ochre · burnt sienna

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·soft blending
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of soft transitions.
  • →Failing to establish a clear value structure.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, ultramarine blue, raw umber, titanium white, cadmium red light, yellow ochre, burnt sienna)
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before starting.

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oil painting for beginners →how to learn by studying the masters →
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