apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·St Francis of Assisi Preaching to the Fish
St Francis of Assisi Preaching to the Fish by Luc-Olivier Merson

plate no. 2368

St Francis of Assisi Preaching to the Fish

Luc-Olivier Merson

oilSymbolismreligious paintingfigureslandscapewaterfishboathills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating subtle color gradations to depict the sky and water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, landscape elements, and horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with a gradient of yellows, oranges, and blues, blending smoothly.

  4. step 04

    Paint the distant hills and mountains, using muted colors and soft edges to create atmospheric perspective.

  5. step 05

    Add the water, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Begin painting the figures, starting with the central figure of St. Francis and working outwards.

  7. step 07

    Add details to the figures, such as clothing folds and facial features.

  8. step 08

    Paint the fish in the water, using small brushstrokes and varying colors to create a sense of movement.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · raw sienna · titanium white · cadmium orange

Mix various earth tones with white to create the subtle gradations in the sky and landscape. Use ultramarine blue and burnt umber to create dark shadows.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing
  • ·blending
  • ·scumbling

common pitfalls

  • →Failing to establish a clear value structure early on.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and unrealistic.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette of earth tones and a few bright colors to capture the painting's muted atmosphere.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull