apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Soluppgang over Staden
Soluppgang over Staden by Eugène Jansson

plate no. 3984

Soluppgang over Staden

Eugène Jansson, 1890

oilSymbolismmarinacityscapewaterboatsskybuildingssunrise
some experience helpful

This painting is a great exercise in atmospheric perspective and creating depth with subtle color shifts. Students will learn to blend colors smoothly and create a sense of mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into sky, city, water, and foreground.

  2. step 02

    Block in the sky with a light blue-green mix, blending upwards to a lighter tone.

  3. step 03

    Paint the distant cityscape as a dark silhouette, using a mix of dark green and blue.

  4. step 04

    Lay in the water with a mid-tone green, reflecting the sky and city.

  5. step 05

    Add the boats and their reflections, keeping them dark and simplified.

  6. step 06

    Paint the foreground embankment and vegetation, using darker greens and browns.

  7. step 07

    Add details like the building on the water and the suggestion of figures.

  8. step 08

    Refine the colors and values, paying attention to the atmospheric perspective.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White

secondary · Burnt Umber · Cadmium Red

Mix greens by combining Prussian Blue and Yellow Ochre. Use white to lighten values and create atmospheric haze. Add a touch of red to darken greens and create shadows.

techniques

  • ·atmospheric perspective
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the cityscape.
  • →Making the colors too saturated.
  • →Ignoring the subtle color shifts in the water and sky.
  • →Not establishing a clear value structure.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Prussian Blue oil paint
  • ·Yellow Ochre oil paint
  • ·Titanium White oil paint
  • ·Burnt Umber oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless Mineral Spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use a canvas with a smooth surface to facilitate blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull