apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Small children with newspapers
Small children with newspapers by Augustus Edwin Mulready

plate no. 3532

Small children with newspapers

Augustus Edwin Mulready

oil, canvasNaturalismgenre paintingchildrennewspaperssnowbuildingwindownight
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and creating atmospheric perspective with subtle color shifts. It also provides practice in depicting textures like snow and aged paper.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the building.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source from the window.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, using a limited palette of earth tones.

  4. step 04

    Develop the background, creating the illusion of depth by gradually softening edges and lightening values.

  5. step 05

    Add details to the figures' faces and clothing, using small brushes and subtle color variations.

  6. step 06

    Paint the newspaper, focusing on capturing the texture and the subtle variations in tone.

  7. step 07

    Add the snow using small dabs of white paint, varying the size and density of the flakes.

  8. step 08

    Refine the details and add final touches, such as the mistletoe on the ground.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red light · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth colors with white and small amounts of blue or red. Use thin glazes to build up color and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·limited palette

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too bright or saturated
  • →Failing to create a sense of depth
  • →Ignoring the subtle variations in tone

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Nesebar

Nesebar

Felix Philipp Kanitz

View of the city of Nettuno at dawn with fishing boats

View of the city of Nettuno at dawn with fishing boats

Giovanni (Nino) Costa

Koriten Fortress

Koriten Fortress

Felix Philipp Kanitz

A London Jo - the End of the Day

A London Jo - the End of the Day

Augustus Edwin Mulready

Chestnut trees in the autumn in Antagnes, Switzerland

Chestnut trees in the autumn in Antagnes, Switzerland

Hubertine Heijermans

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Avenue of Indian Rubber Trees at Peradeniya, Ceylon

Marianne North

Paisaje Con Río

Paisaje Con Río

José Santiago Garnelo y Alda

An Oysterman

An Oysterman

William Henry Hunt