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home·artworks·Small Bust Of A Young Girl
Small Bust Of A Young Girl by Odilon Redon

plate no. 1592

Small Bust Of A Young Girl

Odilon Redon

oilSymbolismportraitportraitfigurebustheadscarforange backgroundblue
some experience helpful

Recreating this painting will help students develop skills in portraiture, color blending, and creating a sense of depth through subtle value changes. It also encourages exploration of expressive brushwork and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bust, head, and background.

  2. step 02

    Establish the overall color scheme with thin washes of orange for the background and blue for the base.

  3. step 03

    Begin building up the skin tones with layers of light and shadow, focusing on the planes of the face.

  4. step 04

    Add the blue headscarf, blending the edges softly.

  5. step 05

    Refine the details of the eyes, nose, and mouth, paying attention to the subtle variations in value.

  6. step 06

    Develop the texture of the background with short, broken brushstrokes.

  7. step 07

    Add highlights and shadows to the bust to create a sense of volume.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · orange · blue · white · yellow

secondary · gray · brown

Mix various shades of orange by combining yellow, red, and a touch of brown. Achieve skin tones by blending white, yellow, red, and a small amount of blue. Use white and blue to create the lighter values in the headscarf and bust.

techniques

  • ·dry brushing
  • ·color blending
  • ·layering
  • ·scumbling
  • ·portrait drawing

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating harsh lines instead of soft transitions between values.
  • →Using too much paint and obscuring the texture of the canvas.
  • →Not paying enough attention to the proportions of the face.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints (orange, blue, white, yellow, brown)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Rags
  • ·Easel

optional

  • ·Medium (for oil paints)
  • ·Varnish

A canvas with a slightly textured surface will enhance the effect of the brushstrokes. Use a limited palette of colors to simplify the mixing process.

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