apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Skmflsdkmfksd
Skmflsdkmfksd by Eugène Jansson

plate no. 1439

Skmflsdkmfksd

Eugène Jansson, 1900

oilSymbolismcityscapecityscapestreetnightfiguresskybuildings
some experience helpful

Recreating this painting will help students understand how to create depth and atmosphere using color temperature and value, as well as how to suggest details with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, street, and major shapes of the buildings and figures.

  2. step 02

    Establish the sky gradient with blended blues, purples, and oranges.

  3. step 03

    Block in the dark masses of the buildings and street with dark blues and browns, leaving space for the streetlights.

  4. step 04

    Add the line of figures along the water using small strokes of white and light blue.

  5. step 05

    Paint the streetlights with bright white and yellow, adding a soft glow around them.

  6. step 06

    Refine the details of the buildings and figures, using short, broken brushstrokes to suggest form.

  7. step 07

    Add subtle variations in color and value to the street and sky to create depth and atmosphere.

  8. step 08

    Add the yellow line on the street.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson

Mix various shades of blue by combining ultramarine with white and a touch of burnt umber. Achieve the sunset colors by blending crimson, yellow, and white. Darken colors with burnt umber.

techniques

  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and flattening the image.
  • →Not paying attention to the subtle color variations in the sky and street.
  • →Making the figures too defined and losing their sense of anonymity.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·alizarin crimson oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull