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home·artworks·Sitting man with dog
Sitting man with dog by Abraham van Strij

plate no. 4002

Sitting man with dog

Abraham van Strij

oilNeoclassicismportraitfiguredogarchitectureportraitcolumnclothing
some experience helpful

Recreating this drawing will help students develop skills in rendering form with value and creating textures with hatching and cross-hatching. It also provides practice in capturing realistic proportions and details in figures and animals.

technical profile

palette complexity
1
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure, dog, and architectural elements.

  2. step 02

    Refine the sketch, paying close attention to the anatomical details of the man and dog, as well as the architectural features.

  3. step 03

    Start adding value using light pencil strokes, focusing on the areas of shadow and gradually building up the darker tones.

  4. step 04

    Use hatching and cross-hatching techniques to create texture and depth in the clothing, fur, and stone.

  5. step 05

    Pay attention to the direction of the light source and how it affects the shadows and highlights on the subjects.

  6. step 06

    Add details such as facial features, clothing folds, and architectural details to enhance the realism of the drawing.

  7. step 07

    Refine the edges and contours of the subjects to create a sense of depth and separation.

  8. step 08

    Make final adjustments to the value and details to achieve a balanced and harmonious composition.

color palette

primary · graphite · charcoal

secondary · white (paper)

Varying pressure and layering of graphite creates different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value shading
  • ·contour drawing
  • ·rendering texture

common pitfalls

  • →Failing to establish accurate proportions in the initial sketch.
  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Not paying attention to the direction of the light source.
  • →Creating muddy or undefined shadows.

materials

surface · Drawing paper (smooth or slightly textured)

required

  • ·Graphite pencils (HB, 2B, 4B)
  • ·Eraser
  • ·Kneaded eraser
  • ·Drawing paper (smooth or slightly textured)
  • ·Pencil sharpener
  • ·Blending stump or tortillon

optional

  • ·Charcoal pencils
  • ·Ruler
  • ·Compass

Use a variety of graphite pencils to create a full range of values. Experiment with different hatching and cross-hatching techniques to create texture.

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