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home·artworks·Sic Transit… (Central Panel)
Sic Transit… (Central Panel) by Adolf Hirémy-Hirschl

plate no. 5255

Sic Transit… (Central Panel)

Adolf Hirémy-Hirschl, 1912

oilSymbolismmythological paintingfigureruinswolvesfoliagecolumnsmythology
experienced study

Recreating this painting would help students develop skills in atmospheric perspective, glazing, and rendering complex textures like foliage and stone. It also provides practice in depicting figures with ethereal qualities.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, ruins, and wolves.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or similar earth tone.

  3. step 03

    Block in the main color masses for the figure, ruins, and foliage, using a limited palette.

  4. step 04

    Begin layering glazes to build up depth and luminosity, especially in the figure's drapery.

  5. step 05

    Refine the details of the ruins and foliage, paying attention to texture and light.

  6. step 06

    Add the wolves, focusing on their anatomy and fur texture.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · alizarin crimson · viridian green

Achieve the ethereal quality of the figure by mixing white with small amounts of blue and yellow. Create the muted greens and browns by mixing the primary colors with umber.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·dry brushing
  • ·scumbling
  • ·grisaille underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the underpainting process.

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