apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Serenity
Serenity by Mikalojus Konstantinas Ciurlionis

plate no. 3339

Serenity

Mikalojus Konstantinas Ciurlionis, 1905

oilSymbolismlandscapemountainwaterskyreflectionlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and tranquility. It also provides practice in capturing reflections in water.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain and the horizon line.

  2. step 02

    Apply a thin wash of diluted raw umber or burnt sienna to tone the canvas.

  3. step 03

    Block in the sky with a mix of light blues, greens, and yellows, blending softly.

  4. step 04

    Paint the mountain using dark blues, browns, and blacks, paying attention to the form and shadows.

  5. step 05

    Create the water using horizontal strokes of light blues, grays, and purples, reflecting the sky and mountain.

  6. step 06

    Add the mountain's reflection in the water, making it darker and slightly blurred.

  7. step 07

    Introduce subtle highlights on the mountain and water to create depth.

  8. step 08

    Refine the details and blend the colors to achieve a soft, atmospheric effect.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · viridian green · alizarin crimson

Achieve the atmospheric colors by mixing small amounts of complementary colors to mute the primary hues. Use white to create tints and increase the sense of distance.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overblending, resulting in a muddy appearance.
  • →Using too much detail, losing the atmospheric effect.
  • →Ignoring the subtle color variations in the sky and water.
  • →Making the reflection too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for better blending. Consider using a slow-drying medium to allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull