apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Semiramis called to fight
Semiramis called to fight by Jacques Stella

plate no. 0629

Semiramis called to fight

Jacques Stella, 1637

oilClassicismhistory paintingfiguresarchitecturedraperyinteriorcolumnsarmor
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in capturing subtle skin tones and complex compositions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with thin washes of color, paying attention to light and shadow.

  3. step 03

    Begin blocking in the local colors of the figures' clothing and skin, using a limited palette.

  4. step 04

    Develop the drapery folds and textures, using layering and glazing techniques.

  5. step 05

    Refine the facial features and expressions, paying attention to subtle details.

  6. step 06

    Add details to the architectural elements, such as the columns and archway.

  7. step 07

    Create depth by softening edges and reducing contrast in the background.

  8. step 08

    Add final highlights and details to enhance the overall realism.

color palette

primary · raw umber · titanium white · ultramarine blue · cadmium red

secondary · yellow ochre · ivory black · violet · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the blue drapery by mixing ultramarine with white and a touch of violet. Use raw umber and ivory black for shadows and architectural details.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Lack of depth in the background
  • →Muddy or unrealistic skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial value sketch.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Landscape with Shepherds  - The Pont Molle

Landscape with Shepherds - The Pont Molle

Claude Lorrain

Presentation of Christ in the Temple

Presentation of Christ in the Temple

Simon Vouet

Landscape with the Funeral of Phocion

Landscape with the Funeral of Phocion

Nicolas Poussin

Confirmation

Confirmation

Nicolas Poussin

The Baptism of Christ

The Baptism of Christ

Jacques Stella

Landscape with Diogenes

Landscape with Diogenes

Nicolas Poussin

Madonna with child and st. John the baptist

Madonna with child and st. John the baptist

Jacques Stella

Landscape with Water Mill

Landscape with Water Mill

Claude Lorrain