
plate no. 8500
Augustus Edwin Mulready, 1901
This painting provides practice in rendering figures with accurate proportions and capturing the subtle light and shadow variations on different surfaces. Students will also learn to create a sense of depth and atmosphere through color and value.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure, column, and background elements.
Establish the main value structure with a thin wash of burnt umber or a similar neutral color.
Block in the local colors of the figure's clothing, the column, and the background buildings.
Refine the figure's features and clothing folds, paying attention to the light and shadow.
Add details to the column, including the texture and the poster.
Paint the background figures and buildings, using a limited palette to create a sense of distance.
Add the final details, such as the flowers, leaves on the ground, and highlights.
Glaze to unify the painting and adjust the colors as needed.
color palette
primary · titanium white · ivory black · alizarin crimson · yellow ochre
secondary · ultramarine blue · viridian green · burnt sienna
Achieve the muted tones by mixing complementary colors and using white to adjust the values. Use glazes of alizarin crimson and ultramarine blue to create the purples in the flowers and shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.
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