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home·artworks·Self Portrait with Red Kerchief
Self Portrait with Red Kerchief by Louisa Matthiasdottir

plate no. 6820

Self Portrait with Red Kerchief

Louisa Matthiasdottir, 1990

oilExpressionismself-portraitportraitfigureheadscarffacewomanself-portrait
some experience helpful

Recreating this painting will help students understand how to simplify complex forms into basic shapes and use color temperature to create depth and dimension. It's also a good exercise in capturing a likeness with expressive mark-making.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders using a soft pencil or charcoal.

  2. step 02

    Block in the main areas of color: skin tones, headscarf, background, and clothing.

  3. step 03

    Establish the darkest shadows on the face and neck, paying attention to the planes of the face.

  4. step 04

    Add lighter values to define the highlights and mid-tones, blending slightly to create smooth transitions.

  5. step 05

    Develop the colors in the headscarf, using a variety of reds, oranges, and browns.

  6. step 06

    Refine the details of the face, such as the eyes, nose, and mouth, using darker and lighter values.

  7. step 07

    Add texture and interest to the background with loose, expressive strokes.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and expressive portrait.

color palette

primary · orange · white · black · brown

secondary · green · yellow · red

Mix skin tones by blending orange, white, and small amounts of brown. Use green and yellow to create olive undertones. Darken colors with black or burnt umber.

techniques

  • ·blocking
  • ·blending
  • ·hatching
  • ·scumbling
  • ·color temperature

common pitfalls

  • →Over-blending, which can result in a muddy or lifeless appearance.
  • →Failing to establish a strong value structure, which can make the portrait look flat.
  • →Getting bogged down in details too early, before establishing the overall composition and values.
  • →Not paying attention to color temperature, which can make the skin tones look unnatural.

materials

surface · Pastel paper or sanded paper

required

  • ·Oil pastels (assorted colors)
  • ·Pastel paper or sanded paper
  • ·Kneaded eraser
  • ·Blending stumps or tortillons
  • ·Soft cloth
  • ·Workable fixative

optional

  • ·Palette knife
  • ·Easel
  • ·Reference photo

Choose a pastel paper with a slightly rough texture to grip the pastels. Workable fixative can be used to set layers of pastel and prevent smudging.

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oil painting for beginners →how to learn by studying the masters →
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