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home·artworks·Self-portrait with flowers
Self-portrait with flowers by Mario Nuzzi

plate no. 1359

Self-portrait with flowers

Mario Nuzzi, 1640

oilTenebrismself-portraitself-portraitflowersfigureartiststill life
experienced study

Recreating this painting will help students understand chiaroscuro and how to build form using light and shadow. It also provides practice in painting floral details and rendering human figures in a dark setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a canvas with a dark, warm underpainting (burnt umber or similar).

  2. step 02

    Sketch the basic composition, focusing on the placement of the figures and the floral arrangements.

  3. step 03

    Block in the main areas of light and shadow using a limited palette of earth tones and white.

  4. step 04

    Start building up the forms of the figures, paying attention to the subtle gradations of light on the face and hands.

  5. step 05

    Begin adding the floral details, working from dark to light and focusing on capturing the shapes and colors of the petals and leaves.

  6. step 06

    Refine the details of the clothing and other elements, adding highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall values and color balance to create a sense of harmony and unity.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the warm, muted tones by mixing earth colors with white and small amounts of red and yellow. Use black sparingly to deepen shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A toned canvas will help to create a more unified and harmonious painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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