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home·artworks·Self-Portrait with Death as a Fiddler
Self-Portrait with Death as a Fiddler by Arnold Böcklin

plate no. 3651

Self-Portrait with Death as a Fiddler

Arnold Böcklin, 1872

oil, canvasSymbolismself-portraitself-portraitfigureskeletonviolinpalettedark background
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict complex forms in a limited palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure, skeleton, and violin.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Begin refining the facial features of the self-portrait, paying close attention to the light and shadow.

  4. step 04

    Develop the details of the skeleton, focusing on the bone structure and texture.

  5. step 05

    Paint the violin, capturing its form and the illusion of wood grain.

  6. step 06

    Refine the clothing and background, ensuring they recede into the shadows.

  7. step 07

    Add highlights and details to create depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · ivory black · raw umber · burnt umber · titanium white

secondary · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining black, umber, and white. Use yellow ochre and cadmium red to create warm skin tones and the color of the violin.

techniques

  • ·portraiture
  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face and skeleton wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (ivory black, raw umber, burnt umber, titanium white, yellow ochre, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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