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home·artworks·Self Portrait
Self Portrait by Sylvester Shchedrin

plate no. 6025

Self Portrait

Sylvester Shchedrin, 1817

oilNeoclassicismself-portraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and creating subtle value gradations to model form. It also offers practice in capturing likeness and conveying a sense of character.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the head, shoulders, and main features.

  2. step 02

    Block in the background with a dark, neutral tone, paying attention to the subtle variations in value.

  3. step 03

    Establish the basic skin tones using a limited palette of earth tones, white, and a touch of red.

  4. step 04

    Carefully build up the values in the face, focusing on the highlights and shadows to create form.

  5. step 05

    Add the details of the eyes, nose, and mouth, paying close attention to their shapes and proportions.

  6. step 06

    Paint the hair, using short, broken strokes to create texture and volume.

  7. step 07

    Render the clothing, focusing on the folds and highlights to create a sense of depth.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and values.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix skin tones by blending white, raw umber, and cadmium red light. Use yellow ochre and ultramarine blue to create subtle variations in the background and shadows.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·modeling
  • ·scumbling

common pitfalls

  • →Inaccurate proportions can ruin the likeness.
  • →Over-blending can result in a flat, lifeless appearance.
  • →Ignoring subtle value changes can make the form appear unnatural.
  • →Using too much detail too early can make the painting look overworked.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, ultramarine blue)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Pre-toned canvas can help establish the dark background.

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