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home·artworks·Self-portrait
Self-portrait by Paul Trouillebert

plate no. 1667

Self-portrait

Paul Trouillebert

oil, canvasNaturalismself-portraitportraitmanglassesmustacheclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle variations in skin tone. It also provides practice in creating depth and form through value and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the composition, focusing on proportions and placement of features.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the basic skin tones and values on the face, using thin washes of color.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the clothing, focusing on the folds and shadows.

  6. step 06

    Add details such as the glasses and mustache.

  7. step 07

    Refine the highlights and shadows throughout the painting.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Mix skin tones by combining white, yellow ochre, raw umber, and small amounts of burnt sienna and alizarin crimson. Use ivory black and raw umber to create the dark background and shadows in the clothing.

techniques

  • ·portraiture
  • ·value study
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the background too light or too dark.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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