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home·artworks·Self-portrait
Self-portrait by Magnus Enckell

plate no. 6815

Self-portrait

Magnus Enckell, 1891

oilSymbolismself-portraitportraitfiguremanself-portraitclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle tonal variations in skin tones. It also provides practice in creating a sense of depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall background tone with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the major shapes of the face and clothing, focusing on accurate proportions and placement.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the form of the clothing, using darker tones to create shadows and lighter tones to indicate highlights.

  6. step 06

    Blend the edges of the forms to create a soft, naturalistic effect.

  7. step 07

    Add final details, such as highlights in the eyes and subtle variations in skin tone.

  8. step 08

    Glaze with thin layers to adjust values and unify the painting.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · ivory black · cadmium red light

Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red light to warm up the skin tones. Use ivory black to create darker shadows and define the forms.

techniques

  • ·portraiture
  • ·tonal painting
  • ·blending
  • ·glazing
  • ·limited palette

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much white, making the skin tones appear chalky.
  • →Ignoring subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Cadmium red light oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Odorless mineral spirits

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints and improve flow.

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