
plate no. 6815
Magnus Enckell, 1891
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle tonal variations in skin tones. It also provides practice in creating a sense of depth and form using a limited color palette.
technical profile
approach — 8 steps
Lightly sketch the basic proportions and pose of the figure on the canvas.
Establish the overall background tone with a thin wash of burnt umber or a similar earth tone.
Block in the major shapes of the face and clothing, focusing on accurate proportions and placement.
Begin to refine the facial features, paying close attention to the subtle shifts in value and color.
Develop the form of the clothing, using darker tones to create shadows and lighter tones to indicate highlights.
Blend the edges of the forms to create a soft, naturalistic effect.
Add final details, such as highlights in the eyes and subtle variations in skin tone.
Glaze with thin layers to adjust values and unify the painting.
color palette
primary · burnt umber · titanium white · raw sienna
secondary · ivory black · cadmium red light
Mix various shades of brown and beige by combining burnt umber, raw sienna, and titanium white. Add small amounts of cadmium red light to warm up the skin tones. Use ivory black to create darker shadows and define the forms.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Consider using a medium to thin the oil paints and improve flow.
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