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Self-portrait by Kuzmá Petrov-Vodkin

plate no. 7461

Self-portrait

Kuzmá Petrov-Vodkin, 1927

oilSymbolismself-portraitportraitfiguremanfaceclothingbackground figure
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through subtle value changes and layering. It also provides an opportunity to practice rendering soft, diffused light and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the face and figure.

  2. step 02

    Block in the background with a diluted blue, paying attention to the subtle variations in tone.

  3. step 03

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the planes of the face and how light interacts with them.

  5. step 05

    Refine the details of the eyes, nose, and mouth, capturing the likeness of the subject.

  6. step 06

    Paint the clothing and tie, focusing on the subtle folds and shadows.

  7. step 07

    Add the background figure with a soft, blurred effect.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · raw umber · ultramarine blue · titanium white · yellow ochre

secondary · burnt sienna · ivory black

Skin tones are achieved by mixing raw umber, yellow ochre, and titanium white, with small amounts of burnt sienna for warmth. The blue background is created by mixing ultramarine blue with titanium white and a touch of black for darker areas.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·blending
  • ·value control

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall impression.
  • →Using too much paint and creating a muddy effect.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (raw umber, ultramarine blue, titanium white, yellow ochre, burnt sienna, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve the desired effects.

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