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home·artworks·Self-Portrait
Self-Portrait by Konstantinos Parthenis

plate no. 3885

Self-Portrait

Konstantinos Parthenis, 1899

pastel, cardboardSymbolismself-portraitportraitfiguremanself-portraitclothing
some experience helpful

Recreating this portrait will help students practice value shading and capturing likeness using a limited color palette. It also provides an opportunity to explore expressive mark-making with pastels.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value range with light and dark areas using a mid-tone pastel.

  3. step 03

    Define the darkest areas of the portrait, such as the eyes and shadows under the nose.

  4. step 04

    Add highlights to the forehead, nose, and collar to create form.

  5. step 05

    Refine the facial features, paying attention to proportions and angles.

  6. step 06

    Develop the background with loose, expressive strokes.

  7. step 07

    Soften edges and blend areas to create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · sanguine pastel · white pastel

secondary · sepia pastel

Achieve mid-tones by layering and blending sanguine and white pastels. Use sepia sparingly for deeper shadows.

techniques

  • ·value shading
  • ·blending
  • ·hatching
  • ·cross-hatching

common pitfalls

  • →Over-blending and losing definition
  • →Incorrect proportions of facial features
  • →Uneven application of pastel
  • →Ignoring the background

materials

surface · Pastel paper or toned cardboard

required

  • ·Sanguine pastel sticks
  • ·White pastel sticks
  • ·Sepia pastel sticks
  • ·Pastel paper or cardboard
  • ·Blending stump
  • ·Kneaded eraser

optional

  • ·Fixative spray
  • ·Pastel pencils
  • ·Chamois cloth

Choose a pastel paper with a slightly rough texture to grip the pastel. Toned paper can help establish the mid-tone value.

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