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home·artworks·Self-Portrait
Self-Portrait by John Trumbull

plate no. 2506

Self-Portrait

John Trumbull, 1802

oilNeoclassicismself-portraitportraitfiguremanclothingdraperytable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for creating smooth skin tones and subtle gradations in fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Focus on accurately capturing the likeness of the subject, paying close attention to the angles and distances between facial features.

  4. step 04

    Build up the skin tones gradually, using subtle layers of color and careful blending to create a smooth, realistic effect.

  5. step 05

    Define the details of the clothing and drapery, paying attention to the way the fabric folds and drapes.

  6. step 06

    Add highlights and shadows to create depth and dimension in the painting.

  7. step 07

    Refine the details of the hands and other objects on the table.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the skin tones by mixing white with small amounts of burnt sienna, yellow ochre, and cadmium red light. Create the dark clothing with ivory black, raw umber, and a touch of ultramarine blue.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·value studies

common pitfalls

  • →Inaccurate proportions can ruin the likeness of the subject.
  • →Over-blending can result in a flat, lifeless appearance.
  • →Neglecting the value structure can lead to a muddy or unbalanced composition.
  • →Getting lost in details before establishing the overall form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (#2, #4, #6)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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