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home·artworks·Self Portrait
Self Portrait by Jérôme-Martin Langlois

plate no. 7373

Self Portrait

Jérôme-Martin Langlois, 1830

oilNeoclassicismself-portraitportraitfiguremanclothingfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main areas of color: skin tones, hair, clothing, and background.

  4. step 04

    Begin refining the facial features, paying close attention to the placement and shape of the eyes, nose, and mouth.

  5. step 05

    Develop the form of the clothing with darker values and directional brushstrokes.

  6. step 06

    Add highlights to the face, hair, and clothing to create depth and dimension.

  7. step 07

    Soften edges and blend colors where necessary to create a cohesive image.

  8. step 08

    Add final details and adjust values as needed to complete the painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ivory black

Mix skin tones by blending white, yellow ochre, and a touch of red. Use burnt umber and black to create darker values for shadows and clothing. Add small amounts of red to the cheeks and lips for warmth.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·scumbling
  • ·directional brushstrokes

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the colors, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create form.
  • →Using too much detail too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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