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Self-Portrait by Gheorghe Tattarescu

plate no. 2518

Self-Portrait

Gheorghe Tattarescu

oilNeoclassicismself-portraitportraitfiguremanclothingbeardbrush
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, capturing likeness, and rendering realistic skin tones. It also provides practice in layering and blending to achieve subtle gradations of color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a thin wash of muted earth tones, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main areas of color for the skin, hair, and clothing, using a limited palette of earth tones and white.

  4. step 04

    Begin to refine the facial features, focusing on capturing the likeness of the subject through careful observation and accurate rendering of the eyes, nose, and mouth.

  5. step 05

    Develop the details of the clothing, paying attention to the folds and shadows that create form and texture.

  6. step 06

    Add highlights and shadows to the skin to create a sense of volume and dimension, using subtle gradations of color and value.

  7. step 07

    Refine the details of the hair and beard, using small brushstrokes to create texture and definition.

  8. step 08

    Add final touches and details, such as the brush in the hand and the subtle highlights in the eyes.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · yellow ochre

Achieve skin tones by mixing white, raw sienna, and a touch of burnt umber or alizarin crimson. Darken shadows with burnt umber and black, and lighten highlights with white and yellow ochre.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions can ruin the likeness of the portrait.
  • →Overworking the details can lead to a stiff and unnatural appearance.
  • →Failing to create a sense of depth and atmosphere can make the painting feel flat.
  • →Using too much color can detract from the overall harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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