
plate no. 9518
Charles Maurin, 1883
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and clothing. It also provides practice in creating a sense of depth and form using a limited color palette.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and easel.
Establish the background with a dark, muted tone.
Block in the main shapes of the figure, including the hat, face, clothing, and hand.
Begin refining the facial features, paying close attention to the eyes, nose, and mouth.
Develop the tonal values in the clothing, creating a sense of form and volume.
Add details to the hat and easel, refining their shapes and textures.
Blend and refine the transitions between tones, creating a smooth and cohesive image.
Add final highlights and shadows to enhance the sense of depth and realism.
color palette
primary · ivory black · titanium white · raw umber
secondary · ultramarine blue · burnt sienna · yellow ochre
Achieve skin tones by mixing white, raw umber, and small amounts of burnt sienna and yellow ochre. Use ultramarine blue and ivory black to create cool grays for the hat and clothing. Vary the amounts of white to create different values.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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