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home·artworks·Self-Portrait
Self-Portrait by Charles Maurin

plate no. 9518

Self-Portrait

Charles Maurin, 1883

oilSymbolismself-portraitportraitmanhatbeardeaselclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle tonal variations in skin and clothing. It also provides practice in creating a sense of depth and form using a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and easel.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main shapes of the figure, including the hat, face, clothing, and hand.

  4. step 04

    Begin refining the facial features, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the tonal values in the clothing, creating a sense of form and volume.

  6. step 06

    Add details to the hat and easel, refining their shapes and textures.

  7. step 07

    Blend and refine the transitions between tones, creating a smooth and cohesive image.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · ivory black · titanium white · raw umber

secondary · ultramarine blue · burnt sienna · yellow ochre

Achieve skin tones by mixing white, raw umber, and small amounts of burnt sienna and yellow ochre. Use ultramarine blue and ivory black to create cool grays for the hat and clothing. Vary the amounts of white to create different values.

techniques

  • ·Underpainting
  • ·Blending
  • ·Scumbling
  • ·Layering
  • ·Chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of tonal values.
  • →Using colors that are too saturated or vibrant.
  • →Ignoring the subtle shifts in color and value that create form.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, burnt sienna, yellow ochre, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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