
plate no. 0726
Cuno Amiet, 1921
Recreating this painting will help students develop skills in color mixing, layering, and expressive brushwork to create form and texture. It also encourages experimentation with non-traditional color choices in portraiture.
technical profile
approach — 8 steps
Sketch the basic shapes of the head, shoulders, and background elements.
Block in the main areas of color for the skin, hair, clothing, and background using thin washes.
Begin layering thicker paint, focusing on capturing the planes of the face with distinct color variations.
Use short, directional brushstrokes to build up texture and form in the face and beard.
Add details to the background foliage and sky, maintaining the loose, expressive brushwork.
Refine the highlights and shadows to enhance the three-dimensionality of the portrait.
Add final touches and details to the clothing and any other elements.
Step back and assess the overall balance of color and composition, making any necessary adjustments.
color palette
primary · yellow ochre · ultramarine blue · titanium white · cadmium red
secondary · viridian green · purple · raw umber
Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, adjusting proportions for highlights and shadows. Mix greens by combining ultramarine blue and yellow ochre or viridian green. Create purples by mixing cadmium red and ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.
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