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home·artworks·Spring Sun
Spring Sun by Cuno Amiet

plate no. 3768

Spring Sun

Cuno Amiet, 1924

oilPost-Impressionismlandscapetreespathfiguregardenfoliagesky
some experience helpful

This painting offers practice in layering colors to create depth and texture, and in simplifying complex forms into expressive brushstrokes. Students will also learn to capture the feeling of light and atmosphere using color temperature.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and figure.

  2. step 02

    Block in the sky with a light blue, leaving some areas for the tree tops.

  3. step 03

    Establish the main color masses for the trees using a mix of greens, blues, and yellows.

  4. step 04

    Paint the path with a base of pink, adding variations in tone and color.

  5. step 05

    Add the figure with simplified shapes and colors, focusing on the overall form.

  6. step 06

    Develop the foliage with short, broken brushstrokes, layering different colors to create depth.

  7. step 07

    Add details like the tree trunks and branches, using darker colors to define their shapes.

  8. step 08

    Refine the overall painting, adjusting colors and values to create a sense of harmony.

color palette

primary · cerulean blue · yellow ochre · alizarin crimson · sap green

secondary · ultramarine blue · cadmium yellow · burnt sienna

Mix greens by combining blues and yellows. Achieve the pink path by mixing white with alizarin crimson and a touch of yellow. Use blues and greens to create shadows in the foliage.

techniques

  • ·broken color
  • ·color layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing, resulting in a flat and uninteresting palette.
  • →Ignoring the importance of value contrast, leading to a muddy and undefined painting.
  • →Not simplifying the forms and trying to render every leaf or detail.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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