apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Seaweed Gatherer
Seaweed Gatherer by Paul Serusier

plate no. 9976

Seaweed Gatherer

Paul Serusier, 1890

oil, cardCloisonnismgenre paintinghaystacksfieldfigurewaterskylandscape
some experience helpful

Recreating this painting will help students understand simplified forms, color blocking, and how to create a sense of depth using color and value. It's also a good exercise in capturing the essence of a scene with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition: haystacks, fields, figure, and water line.

  2. step 02

    Block in the sky with a light gray-blue.

  3. step 03

    Apply flat areas of color for the distant hills (greens and yellows).

  4. step 04

    Paint the haystacks with a base of burnt sienna, adding darker and lighter tones for form.

  5. step 05

    Block in the fields with ochre and green, varying the tones to suggest depth.

  6. step 06

    Paint the water with horizontal strokes of blues, grays, and whites.

  7. step 07

    Add the figure with simplified shapes and dark colors.

  8. step 08

    Refine details and add highlights where necessary.

color palette

primary · burnt sienna · yellow ochre · Prussian blue · titanium white

secondary · sap green · raw umber · light gray

Mix greens by combining Prussian blue and yellow ochre. Create variations in the ochre and sienna by adding white, umber, or a touch of blue.

techniques

  • ·color blocking
  • ·simplified forms
  • ·scumbling
  • ·broken color
  • ·horizontal brushstrokes

common pitfalls

  • →Overworking the details and losing the simplified, abstracted feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Making the brushstrokes too uniform and losing the texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Using a slightly textured canvas can enhance the brushstroke visibility. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Beard gleaming

Beard gleaming

Georges Lacombe

The Aqueduct

The Aqueduct

Paul Serusier

Chestnut Gatherers

Chestnut Gatherers

Georges Lacombe

Harvesting of buckwheat in Britain

Harvesting of buckwheat in Britain

Georges Lacombe

Solitude, Huelgoat Landscape

Solitude, Huelgoat Landscape

Paul Serusier

Portrait of Louis Roy

Portrait of Louis Roy

Paul Gauguin

Landscape

Landscape

Paul Serusier

Breton Women in the Meadow

Breton Women in the Meadow

Emile Bernard