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home·artworks·Portrait of Louis Roy
Portrait of Louis Roy by Paul Gauguin

plate no. 3967

Portrait of Louis Roy

Paul Gauguin, 1893

oil, canvasCloisonnismportraitportraitmanbeardfigurebackgroundclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing the essence of a subject through expressive brushstrokes. It also encourages exploration of simplified forms and bold color choices.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the face and body.

  2. step 02

    Block in the main areas of color: skin tones, hair/beard, clothing, and background.

  3. step 03

    Start building up the skin tones with layers of color, paying attention to the subtle variations in hue and value.

  4. step 04

    Define the features of the face, such as the eyes, nose, and mouth, with careful brushstrokes.

  5. step 05

    Work on the hair and beard, using short, broken strokes to create texture and volume.

  6. step 06

    Refine the clothing and background, adding details and depth as needed.

  7. step 07

    Add final highlights and shadows to enhance the overall sense of form and dimension.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to improve the likeness and composition.

color palette

primary · Prussian blue · Cadmium red · Yellow ochre · Titanium white

secondary · Burnt umber · Viridian

Mix skin tones using white, yellow ochre, and cadmium red, adding small amounts of blue or umber to adjust the temperature. Achieve the beard color by mixing red, yellow ochre, and a touch of burnt umber.

techniques

  • ·Color blocking
  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Layering

common pitfalls

  • →Overblending the colors, resulting in a muddy or lifeless effect.
  • →Getting bogged down in details too early in the process.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of value contrast in creating form and depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian blue, Cadmium red, Yellow ochre, Titanium white, Burnt umber, Viridian)
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retouch varnish
  • ·Easel
  • ·Medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve their flow.

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