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Landscape by Paul Serusier

plate no. 1660

Landscape

Paul Serusier, 1912

oil, canvasPost-Impressionismlandscapelandscapetreesgrassfoliagegardenfence
some experience helpful

This painting provides a good opportunity to practice layering colors to create depth and learn how to simplify complex scenes into basic shapes. Students can also practice creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the tree, the line of the fence, and the horizon line.

  2. step 02

    Block in the large areas of color: the green of the grass, the darker green of the trees, and the brown of the tree trunk.

  3. step 03

    Add variations in the green tones to create the illusion of depth and texture in the grass and foliage.

  4. step 04

    Paint the fence posts and small trees in the background, paying attention to their relative sizes and positions.

  5. step 05

    Add details to the tree trunk, including the branches and any visible knots or textures.

  6. step 06

    Refine the edges of the shapes and add highlights and shadows to create a sense of form.

  7. step 07

    Use short, broken brushstrokes to create texture in the grass and foliage.

  8. step 08

    Add final touches and details as needed.

color palette

primary · sap green · yellow ochre · raw umber

secondary · titanium white · burnt sienna

Mix greens by combining yellow ochre and sap green. Use raw umber to darken the greens and create shadows. Add titanium white to lighten the greens and create highlights.

techniques

  • ·layering
  • ·broken brushstrokes
  • ·color mixing
  • ·scumbling
  • ·blocking in

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and not creating enough variation.
  • →Not paying attention to the relative sizes and positions of the objects.
  • →Using too much detail and losing the overall impression of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (sap green, yellow ochre, raw umber, titanium white, burnt sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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