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home·artworks·Harvesting of buckwheat in Britain
Harvesting of buckwheat in Britain by Georges Lacombe

plate no. 5948

Harvesting of buckwheat in Britain

Georges Lacombe, 1895

oilCloisonnismgenre paintingfigurefieldharvestlandscapepeasantsickle
some experience helpful

Recreating this painting will help students practice simplified forms and color blocking, as well as understanding how to create depth with limited color variations. Students will also learn how to create a sense of movement and rhythm through repeated shapes and lines.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the figure and the landscape elements.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the foreground.

  3. step 03

    Define the shapes of the figure and the landscape with darker outlines, using a consistent line weight.

  4. step 04

    Add details to the figure, such as the facial features and the folds in the clothing.

  5. step 05

    Refine the colors and values, adding subtle variations to create depth and dimension.

  6. step 06

    Add texture to the field and the trees using short, broken brushstrokes.

  7. step 07

    Pay attention to the overall balance and harmony of the painting, making adjustments as needed.

  8. step 08

    Add final details, such as the highlights on the figure and the landscape.

color palette

primary · red ochre · yellow ochre · ultramarine blue · ivory black

secondary · burnt sienna · raw umber · titanium white

Mix red ochre and yellow ochre to create the warm tones of the field. Use ultramarine blue and ivory black to create the cool tones of the figure's clothing. Add titanium white to lighten the colors and create highlights.

techniques

  • ·color blocking
  • ·outlining
  • ·simplified forms
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Losing the overall composition
  • →Not paying attention to the values
  • →Creating muddy colors

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (#2, #4, #6)
  • ·Flat brush (#8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)

optional

  • ·Medium gloss
  • ·Easel
  • ·Rags

Use a limited palette of colors to achieve a harmonious effect. Consider using acrylics for faster drying time.

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