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home·artworks·Scene in the Sierra Nevada
Scene in the Sierra Nevada by Albert Bierstadt

plate no. 1879

Scene in the Sierra Nevada

Albert Bierstadt, 1861

oil, canvasLuminismlandscapemountainslaketreesfiguresskyclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections in water. It also provides practice in creating a sense of depth and scale in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and foreground elements, paying attention to proportions.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, focusing on the light and shadow patterns.

  3. step 03

    Block in the main colors of the sky, mountains, and water, using broad strokes.

  4. step 04

    Develop the details of the mountains, adding texture and variations in color to create a sense of depth.

  5. step 05

    Refine the reflections in the water, paying attention to the distortion and color variations.

  6. step 06

    Paint the trees and foreground vegetation, adding details to create a sense of realism.

  7. step 07

    Add the figures in the foreground, paying attention to their scale and placement.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · alizarin crimson · sap green · violet

Mix blues and browns with white for the mountains and sky. Use yellow ochre and burnt umber for the foreground. Add alizarin crimson to browns for warmer tones.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the reflections too literal and not accounting for distortion.
  • →Not creating enough depth in the mountains.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·alizarin crimson oil paint
  • ·sap green oil paint
  • ·violet oil paint

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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