
plate no. 1719
Albert Bierstadt, 1890
Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also provides practice in rendering animal forms and textures.
technical profile
approach — 8 steps
Sketch the basic composition, including the horizon line, mountain range, and placement of the buffalo.
Block in the sky with a gradient of yellows, oranges, and blues, blending smoothly.
Establish the distant mountains with muted oranges and browns, using lighter values for the snow-capped peaks.
Paint the middle ground with a dark, horizontal band to create depth.
Block in the general shapes of the trees and bushes, paying attention to their placement and size.
Begin adding details to the foreground, including the grass and the buffalo, using a variety of browns, yellows, and greens.
Refine the details of the buffalo, adding highlights and shadows to create form and texture.
Add final touches to the sky, mountains, and foreground to create a cohesive and atmospheric painting.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · ultramarine blue · cadmium orange · sap green
Achieve the atmospheric haze by mixing small amounts of blue and white into the yellows and oranges. Create the browns for the buffalo by mixing burnt umber with yellow ochre and small amounts of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a toned canvas (e.g., with a thin wash of burnt umber) can help to establish the warm undertones of the painting.
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