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home·artworks·Buffalo on the Plains
Buffalo on the Plains by Albert Bierstadt

plate no. 1719

Buffalo on the Plains

Albert Bierstadt, 1890

oilRomanticismanimal paintingbuffaloplainsmountainsskygrasstrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also provides practice in rendering animal forms and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, mountain range, and placement of the buffalo.

  2. step 02

    Block in the sky with a gradient of yellows, oranges, and blues, blending smoothly.

  3. step 03

    Establish the distant mountains with muted oranges and browns, using lighter values for the snow-capped peaks.

  4. step 04

    Paint the middle ground with a dark, horizontal band to create depth.

  5. step 05

    Block in the general shapes of the trees and bushes, paying attention to their placement and size.

  6. step 06

    Begin adding details to the foreground, including the grass and the buffalo, using a variety of browns, yellows, and greens.

  7. step 07

    Refine the details of the buffalo, adding highlights and shadows to create form and texture.

  8. step 08

    Add final touches to the sky, mountains, and foreground to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium orange · sap green

Achieve the atmospheric haze by mixing small amounts of blue and white into the yellows and oranges. Create the browns for the buffalo by mixing burnt umber with yellow ochre and small amounts of blue.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the foreground before establishing the background.
  • →Using colors that are too saturated, which can flatten the image.
  • →Failing to create a strong sense of depth and distance.
  • →Making the buffalo appear too stiff or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

Using a toned canvas (e.g., with a thin wash of burnt umber) can help to establish the warm undertones of the painting.

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oil painting for beginners →how to learn by studying the masters →
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