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home·artworks·Sarah Siddons as Isabella from 'The Tragedy of Isabella' or 'The Fatal Marriage'
Sarah Siddons as Isabella from 'The Tragedy of Isabella' or 'The Fatal Marriage' by William Hamilton

plate no. 7450

Sarah Siddons as Isabella from 'The Tragedy of Isabella' or 'The Fatal Marriage'

William Hamilton, 1785

oilNeoclassicismportraitportraitfiguredresshairveilface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending. It also provides practice in rendering fabric and hair textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Establish the background with a thin wash of blue, creating subtle variations in tone.

  3. step 03

    Block in the main areas of color for the skin, hair, dress, and veil.

  4. step 04

    Begin refining the skin tones, paying close attention to the subtle shifts in color and value.

  5. step 05

    Develop the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Add details to the dress, including the lace trim and folds in the fabric.

  7. step 07

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · ivory black · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and white for the background, adding small amounts of umber for darker areas. Mix black and umber for the dress, adding white for highlights.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face
  • →Muddy skin tones
  • →Overblending, resulting in a flat appearance
  • →Neglecting subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.

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