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home·artworks·Sarah Leading Hagar to Abraham
Sarah Leading Hagar to Abraham by Matthias Stom

plate no. 1944

Sarah Leading Hagar to Abraham

Matthias Stom, 1639

oil, canvasTenebrismreligious paintingfiguresinteriorreligious scenedraperytablelight source
experienced study

This painting provides an opportunity to practice dramatic lighting and rendering realistic skin tones. Students can also learn about composition and how to create a focal point using light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the main light source.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for each figure and the drapery.

  4. step 04

    Begin building up the highlights on the figures, focusing on the areas directly illuminated by the light source.

  5. step 05

    Refine the shadows and mid-tones, paying attention to the subtle gradations of color and value.

  6. step 06

    Add details to the faces and hands, using small brushes to create realistic textures.

  7. step 07

    Paint the details of the drapery and other objects in the scene, such as the table and the lamp.

  8. step 08

    Add final highlights and glazes to enhance the overall effect of light and shadow.

color palette

primary · ivory black · raw umber · burnt sienna · cadmium red light

secondary · ultramarine blue · yellow ochre · titanium white

Mix skin tones using a combination of white, red, yellow ochre, and a touch of burnt umber. Create the dark background by mixing black with a small amount of brown. Use glazes of red and brown to create depth and richness in the drapery.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much paint and losing the sense of light and shadow.
  • →Incorrect proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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