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home·artworks·Samson and Delilah
Samson and Delilah by Matthias Stom

plate no. 5882

Samson and Delilah

Matthias Stom, 1639

oil, canvasTenebrismreligious paintingfiguresreligious scenesleepingdramatic lightinghistorical
experienced study

Recreating this painting would help students develop skills in chiaroscuro and rendering human anatomy under dramatic lighting conditions. It also provides practice in capturing complex emotions through facial expressions and body language.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and their positions.

  2. step 02

    Establish the darkest areas of the background and shadows using a dark brown or black.

  3. step 03

    Block in the mid-tones on the figures, focusing on the planes of the faces and bodies.

  4. step 04

    Gradually build up the highlights, paying close attention to the light source and how it affects the forms.

  5. step 05

    Refine the details of the faces, hair, and clothing, using smaller brushes.

  6. step 06

    Add subtle color variations to the skin tones to create a sense of depth and realism.

  7. step 07

    Pay attention to the textures of the fabrics and hair, using varied brushstrokes.

  8. step 08

    Glaze thin layers of color to unify the painting and enhance the shadows.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white. Use small amounts of cadmium red for warmth and ultramarine blue to cool down the tones in shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing

common pitfalls

  • →Over-blending, which can flatten the forms.
  • →Incorrect proportions in the figures.
  • →Failing to establish a strong light source.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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